Saturday, January 30, 2021

Sweet Water By Cara Reinard

Sweet Water

by Cara Reinard

January 1-31, 2021 Tour

Synopsis:

Sweet Water by Cara Reinard

What did her son do in the woods last night? Does a mother really want to know?

It’s what Sarah Ellsworth dreamed of. Marriage to her childhood sweetheart, Martin. Living in a historic mansion in Pennsylvania’s most exclusive borough. And Finn, a teenage son with so much promise. Until…A call for help in the middle of the night leads Sarah and Martin to the woods, where they find Finn, injured, dazed, and weeping near his girlfriend’s dead body. Convinced he’s innocent, Sarah and Martin agree to protect their son at any cost and not report the crime.

But there are things Sarah finds hard to reconcile: a cover-up by Martin’s family that’s so unnervingly cold-blooded. Finn’s lies to the authorities are too comfortable, too proficient, not to arouse her suspicions. Even the secrets of the old house she lives in seem to be connected to the incident. As each troubling event unfolds, Sarah must decide how far she’ll go to save her perfect life.

Sweet Water Reviews:

“An unsparing account of ‘rich people problems’ that goes on forever, like all the best nightmares." —Kirkus Reviews

Book Details:

Genre: Domestic Thriller, Crime Fiction
Published by: Thomas & Mercer
Publication Date: January 1st 2021
Number of Pages: 364
ISBN: 1542024935 (ISBN13: 978-1542024938)
Purchase Links: Amazon | Barnes & Noble | Goodreads

Read an excerpt:

Chapter 1

I reach for my phone inside my purse slung around my neck. It’s dangling behind my back because I had nowhere else to put it while examining the body.

“Sarah, is she breathing?” Martin asks. I turn my head to find him, but it’s too dark.

I stumble, disoriented under the canopy of trees. We’re somewhere off Fern Hollow Road, the closest turnoff to Finn’s pinned iPhone location.

“I d-don’t know,” I sputter, still shocked we found her and not Finn when we parked the car and hiked the rest of the way into Sewickley Heights Park.

“Check her—now. I need to find Finn.” Martin’s voice fades into the forest, and all I want to do is follow him, but I just spoke to my son on the phone. His speech was slurred, and his girlfriend is . . .

“Oh God.” I open my mouth and let out a strangled breath, so sick that I sway to the side.

My eyes water as I kneel beside Yazmin Veltri, a girl I’ve known for only the briefest period. The wetness soaks through the holes in my jeans, settling into my bare kneecaps, ice on bone.

“Yazmin?” I shine my phone’s light in her direction, but I’m stopped by the certain hint of marijuana.

Shit. All these years working with at-risk young women, and I couldn’t see that Finn was dating one.

“Please,” I beg the starlit sky peeking through the trees. “Let her be breathing.”

I sniffle and inhale the truth through the rotting leaves. Something terrible has happened here, and I’m too late. The autumn mist snakes in through my nose, out through my mouth, emitting tiny white puffs of air.

The forest ground is slippery, a feathered blanket beneath my knees, slathering the tops of my shoes.

I hear more hurried footsteps. Martin sounds like a mouse lost in a maze. Has he found Finn? I need to go to him, but my husband told me to stay here.

The branches scratch the tops of my feet as I move closer to her, the fallen leaves collecting between my knees. Yazmin could still be alive. A bitter taste rises in my mouth as I bite my tongue, and I’m close enough to touch her now.

My arm trembles as I place two fingers on the cold flesh of her neck. Not only cold—wet. I can’t see what I’m touching, but I can feel her absence. Right below her jawline, in the space beside her trachea where I know a steady drumbeat should exist, there’s nothing.

No pulse. My heartbeat quickens and plummets. Oh God.

My blood is rushing. Pounding. I’m sweating despite the near-thirty-degree temperature. I dip my head closer to Yazmin’s chest, careful not to tangle my hair with hers. I’ve checked on my kids enough times in the middle of the night to know this girl’s not breathing. I shut my eyes and listen anyway.

Sure enough, the steady rise and fall of Yazmin’s chest is absent along with her pulse.

“She’s dead. We have to call the police,” I announce, loud enough for Martin to hear, but not nearly as loud as the screaming in my head.

Call somebody! Help!

I hear Martin crunch closer, and I turn my back on the girl.

I scoot up on my legs and use my hands to push myself into a crouching position. My breath is heavy, and everything on my body—my hands, my knees—rattles with fear. I hear a cry in the distance.

My son’s cry. And then Martin’s rustling footsteps. Beside me again.

“Where is he?” I ask.

“He’s okay, but . . .” Martin nods to the right. “He’s injured. We need to get him out of here, Sarah.”

“Okay,” I say, but I close my eyes because my head is a ringing bell of stress even though this wooded area is one of the things that drew me to this town. The park is near the country club where we’re members, where Martin’s family have been members for years, and things like this just don’t happen here.

“Let’s go, Sarah!” Martin urges.

My eyes snap open, and I hold up my phone. “Wait. I’m calling 911. For her.”

“No.” Martin swats my hand away with the flick of his strong knuckles. The blood on my palms makes everything slick, and my cell phone goes flying across the forest like a bar of soap in the shower. I slip sideways into a bramble of branches and land on my left hip, staring at my husband’s garish face in the moonlight. He looks unfamiliar, that expression one reserved for when he loses business at work, a rare occurrence. Martin is an innovator, his causes noble. Sometimes I don’t approve of how he does things, but I usually approve of why.

“Damn it.” Martin scrambles to find my phone. Right now, I don’t approve at all.

“Why did you do that?” I ask, but I’m more surprised that he’s hit me than I am by the fact that he doesn’t agree with my decision to call the police.

“It will get reported tomorrow. We need to leave with Finn. Now.”

“What? That makes no sense.”

Martin retrieves my phone, and I’m trying to get his attention, but he’s looking right past me at the gas pipeline in the distance, a clear-cut, inclined path free of foliage about a thousand yards long in the mountainous terrain. Martin and I messed around with sleds one winter on a protected slope of land just like it, and I think maybe Finn and Yazmin planned their own adventure out here tonight and something went terribly wrong.

“Martin.” I try to get up, but my foot slips on a mossy rock.

He grabs my arm. Then drops it. “Watch yourself,” he says, but he doesn’t help me rise. He’s too busy texting.

It’s then that I hear water rushing nearby. The river rocks are indigenous to this area, like everything else woodsy and serene in Sewickley.

Sewickley, the Shawnee word for sweet water, derived from the tribe’s belief that the borough’s shores were a little sweeter on that stretch of the Ohio River, the maple trees that grow at its shores only part of the saccharine story.

“Who’re you texting?” I’m crying and my hands are still wet, but I can’t wipe them. There’s blood all over my palms, and I can’t remember how it got there; head wounds bleed the worst.

“Hold on!” Martin is standing with his back to me now, holding his phone in the air like he’s trying to decide what to do with it, a six-foot silhouette of trepidation. He scratches his dark hair and rubs his cell phone on his sweater-vest, but he doesn’t use it to call anyone, only texts.

“I’m getting legal advice from my father,” Martin says.

His father?

I picture William Sr. texting back from the comfort of one of his high-back chairs inside his home, one of the few estates that make up Sewickley Heights like a richly woven patchwork quilt—the expensive kind sewn together with colonials surrounded by alabaster columns and mile-long driveways.

“Martin?”

William’s house is a fat-thatched Tudor hiding behind manicured bushes, a peek of white here, a slip of brown there, but there’s no hiding from this.

“Of course you have to report it!” I look again—at her—and the blood is already congealing around her open head wound, her neck bent at an awkward angle, a matchstick snapped in half. The rushing water streams just behind her.

Martin’s tugging on my coat. “Get up, Sarah. We have to go.”

“We can’t leave her.” Yazmin’s long black hair is covering the expression on her face, although the one I imagine is stuck there will haunt me more than the one I cannot see. She rests on her back, and it would be an odd way to fall, backward instead of forward, her hands crossed over her chest as if she were thwarting an attack. It reminds me of a tae kwon do block from when Finn used to take classes. We’d enrolled him when he was a child because he was painfully shy, whereas Spencer, his older brother, was frequently mentioned by his teachers as boisterous or exuberant, adjectives used in private schools to describe disruptive overachievers. I might expect Spencer to get into trouble with a girl like this, but not my poor Finny.

I turn toward Martin. He’s speaking, but I’ve stopped listening.

His eyes are pleading. “She’s dead. We can’t help her. Finn was the last person with her.”

“But—”

“He’s on something, Sarah. Drugs.” Martin shakes his head furiously. “This looks bad.”

I can hear what he’s saying, but I’ve retreated into my own body, and I don’t even know who we are right now.

We used to be Martin and Sarah Ellsworth of Blackburn Road.

We were the couple sitting at a corner table at a fancy restaurant, splitting a bottle of wine. Laughing at each other’s jokes.

“We have to do something for her.” My voice is swallowed by the humming sounds of the forest and the flapping of the leaves on the trees, the river. She’s already dead, but we need to make sure she’s at least taken to the hospital so her parents can identify her. Bile rises in my mouth. My heart is beating so fast, drowning out everything else, but I faintly hear Finn’s voice again nearby.

“I’m sorry.” Martin extends his arm to help me up, but I waggle my finger in the air at him, pointing to my hands, reminding my brainy husband that I’m bloodied and pulling me up isn’t a good idea. I must’ve made the mistake of touching Yazmin in the wrong place.

“Right.” He draws his palms back.

My legs won’t work. I gaze up, silently praying. The large enveloping trees of Sewickley Heights tower above us like old wealthy gatekeepers winking in the night.

“I need your help. I can’t move him on my own, Sarah,” Martin reveals.

I close my eyes, wishing it all away. It’s all a bad dream.

“Can we just make an anonymous call from a pay phone or something? For her parents’ sake, at least?”

“You can’t. They’ll try to interview Finn, see the drug use, and assume the worst. He’ll go to jail.” His voice is thick with desperation. “Sarah, this will ruin Finn’s life. This isn’t his fault!” Martin kicks a stone with his worn loafer, a product from one of the posh boutiques that line downtown Sewickley, a mishmash of overpriced things people don’t really need displayed in windowed storefronts on cobblestone streets. There’s a place to reupholster old furniture with patterns better left to die with their original owners, a claw-foot-tub specialist, an herbal spa with enough fresh fruit remedies to double as a bakery, the imported-leather-shoe store.

I bought Martin the shoes he has on now, and he’s worn them down to the soles. He’s practical, a computer engineer and CEO of a robotics start-up in the Strip District. He does things that make sense.

But right now, he’s not making any.

“Maybe she slipped.” My voice is shallow like the night air sneaking away from my lips, but the idea of an accident fills my heart with hope. “We’ll leave an anonymous tip.” If I had my phone, I’d call myself.

I’d explain this is exactly how we found her. She wasn’t even near our son when we discovered her body.

Unless . . . we’ve messed with the scene of the crime so much that we’ve hurt Finn more than helped him. I look down at my bloody hands and cringe. As far as we know, Finn is the last one who saw Yazmin alive. This could be very bad for him. “Shit.”

Martin grabs me by the arm. “We have to go, Sarah. Get up.” I can’t see much of Martin’s face but the stringy blue vein in his forehead that only comes out when he’s upset.

It’s been only minutes, but we need to move—faster.

“We need to go to him,” I say.

“Yes.” Martin nods.

I’m in shock. That’s what’s wrong with me. I blindly follow Martin, adrenaline fueling my limbs. Finn is off the beaten path, and I feel as though I’ve already failed him for taking so long. He’s huddled over a pile of leaves, his knees tucked into his chest like he used to do when he was a little kid. He looks so small right now.

So young.

A little boy who fell off his scooter and skinned his knee. I wish this problem were as easy to fix.

I wipe my hands on my jeans and throw my arms around him.

“I’m here. Mom’s here.” Finn’s crying and I don’t know how to make it better for him. He obviously didn’t mean for the girl to get hurt, but this was no accident either. He’s made a terrible mistake, gotten himself into a horrible predicament. So Finn did what we always told him to do if he was ever in trouble—he called us.

***

Excerpt from Sweet Water by Cara Reinard. Copyright 2021 by Cara Reinard. Reproduced with permission from Cara Reinard. All rights reserved.

 

 

Cara Reinard

Author Bio:

Cara Reinard is an author of women’s fiction and domestic. She currently lives north of Pittsburgh with her husband, two children, and Bernese mountain dog.

For more information, visit:
www.carareinard.com
Goodreads
BookBub - @CaraReinard
Twitter - @carareinard
Instagram - @carareinard
Facebook - Cara Reinard, Author

 

 

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My Take: This is a typical girl on the wrong side of the tracks meets boy from the right side of the tracks and they fall in love and live happily ever after, except they don't. This was a great suspense novel that is more gray than black and white but that's what we came her for the grayness of the whole thing. I love a book that will keep you guessing until the very end and this does that and more. It is told in a dual timeline which I really like too. I highly recommend this book. I received a review copy of this book from Partners in Crime Tours and was not required to write a positive review.

A Murder is Forever by Rob Bates

A Murder is Forever

by Rob Bates

December 1, 2020 - January 31, 2021 Tour

Synopsis:

A Murder is Forever by Rob Bates

Max Rosen always said the diamond business isn't about sorting the gems, it's about sorting the people. His daughter Mimi is about to learn that some people, like some diamonds, can be seriously flawed.

After Mimi's diamond-dealer cousin Yosef is murdered–seemingly for his $4 million pink diamond–Mimi finds herself in the middle of a massive conspiracy, where she doesn't know who to trust, or what to believe. Now she must find out the truth about both the diamond and her cousin, before whoever killed Yosef, gets her.

"[A] sprightly debut …. Bates, who has more than 25 years as a journalist covering the diamond business, easily slips in loads of fascinating information on diamonds and Jewish culture without losing sight of the mystery plot. Readers will look forward to Mimi’s further adventures." - Publishers Weekly

Book Details:

Genre: Mystery
Published by: Camel Press
Publication Date: October 13th 2020
Number of Pages: 281
ISBN: 1603812229 (ISBN13: 9781603812221)
Series: The Diamond District Mystery Series
Purchase Links: Amazon | Barnes & Noble | Goodreads

Read an excerpt:

A MURDER IS FOREVER

By Rob Bates

CHAPTER ONE

As Mimi Rosen exited the subway and looked out on the Diamond District, she remembered the words of her therapist: “This won’t last forever.”

She sure hoped so. She had been working on Forty-Seventh Street for two months and was already pretty tired of it.

To outsiders, “The Diamond District” sounded glamorous, like a street awash in glitter. To Mimi, who had spent her life around New York, Forty-Seventh Street between Fifth and Sixth Avenues was a crowded, dirty eyesore of a block. The sidewalk was covered not with glitz, but with newspaper boxes, cigarettes, stacks of garbage bags, and, of course, lots of people.

Dozens of jewelry stores lined the street, all vying for attention, with red neon signs proclaiming “we buy gold” or “50 percent off.” Their windows boasted the requisite rows of glittery rings, and Mimi would sometimes see tourists ogling them, their eyes wide. She hated how the stores crammed so many gems in each display, until they all ran together like a mess of kids’ toys. For all its feints toward elegance, Forty-Seventh Street came off as the world’s sparkliest flea market.

Mimi knew the real action in the Diamond District was hidden from pedestrians, because it took place upstairs. There, in the nondescript grey and brown buildings that stood over the stores, billions in gems were bought, sold, traded, stored, cut, appraised, lost, found, and argued over. The upstairs wholesalers comprised the heart of the U.S. gem business; if someone bought a diamond anywhere in America, it had likely passed through Forty-Seventh Street.

Mimi’s father Max had spent his entire life as part of the small tight-knit diamond dealer community. It was a business based on who you knew—and even more, who you trusted. “This business isn’t about sorting the diamonds,” Max always said. “It’s about sorting the people.” Mimi would marvel how traders would seal million-dollar deals on handshakes, without a contract or lawyer in sight.

It helped that Forty-Seventh Street was comprised mostly of family businesses, owned by people from a narrow range of ethnic groups. Most—like Mimi’s father—were Orthodox, or religious, Jews. (“We’re the only people crazy enough to be in this industry,” as Max put it.) The Street was also home to a considerable contingent of Hasidic Jews, who were even more religious and identifiable by their black top hats and long flowing overcoats. Mimi once joked that Forty-Seventh Street was so diverse, it ran the gamut from Orthodox to ultra-Orthodox.

Now Mimi, while decidedly secular, was part of it all. Working for her father’s diamond company was not something she wanted to do, not something she ever dreamed she would do. Yet, here she was.

She had little choice. She had not worked full-time since being laid off from her editing job a year ago. She was already in debt from her divorce, which had cost more than her wedding, and netted little alimony. “That’s what happens when you divorce a lawyer,” said her shrink.

Six months after she lost her job, Mimi first asked her father for money. He happily leant it to her, though he added he wasn’t exactly Rockefeller. It was after her third request—accompanied, like the others, by heartfelt vows to pay him back—that he asked her to be the bookkeeper at his company. “I know you hate borrowing from me,” he told her. “This way, it isn’t charity. Besides, it’ll be nice having you around.”

Mimi protested she could barely keep track of her own finances. Her father reminded her that she got an A in accounting in high school. Which apparently qualified her to do the books at Max Rosen Diamond Company.

“We have new software, it makes it easy,” Max said. “Your mother, may she rest in peace, did it for years.”

Mimi put him off. She had a profession, and it wasn’t her mother’s.

Mimi was a journalist. She had worked at a newspaper for nine years, and a website for five. She was addicted to the thrill of the chase, the pump of adrenaline when she uncovered a hot story or piece of previously hidden info. There is no better sound to a reporter’s ears than someone sputtering, “How did you find that out?”

“It’s the perfect job for you,” her father once said. “You’re a professional nosy person.”

She loved journalism for a deeper reason, which she rarely admitted to her cynical reporter friends: She wanted to make a difference. As a girl, she was haunted by the stories they told in religious school, how Jews were killed in concentration camps while the world turned its head. Growing up, she devoured All the President’s Men and idolized pioneering female muckrakers like Nellie Bly.

Being a journalist was the only thing Mimi ever wanted to do, the only thing she knew how to do. She longed to do it again.

Which is why, she told her therapist, she would tell her father no.

Dr. Asner said she understood, in that soft melancholy coo common to all therapists. Then she crept forward on her chair.

“Maybe you should take your father up on this. He’s really throwing you a lifeline. You keep telling me how bad the editorial job market is.” She squinted and her glasses inched up her nose. “Sometimes people adjust their dreams. Put them on hold.”

Mimi felt the blood drain from her face. In her darker moments—and she had quite a few after her layoff—she had considered leaving journalism and doing something else, though she had no idea what that would be. Mimi always believed that giving up her lifelong passion would be tantamount to surrender.

Dr. Asner must have sensed her reaction, because she quickly backtracked.

“You can continue to look for a journalism job,” she said. “Who knows? Maybe working in the Diamond District will give you something to write about. Besides,”— here, her voice gained an edge—“you need the money.” That was driven home at the end of the forty-five minutes, when Dr. Asner announced that she couldn’t see Mimi for any more sessions, since Mimi hadn’t paid her for the last three.

By that point, Mimi didn’t know whether to argue, burst into tears, or wave a white flag and admit the world had won.

It was a cold February morning as Mimi walked down Forty-Seventh Street to her father’s office, following an hour-plus commute from New Jersey that included a car, a bus, and a subway. With her piercing hazel eyes, glossy brown hair, and closely set features, Mimi was frequently told she was pretty, though she never quite believed it. She had just gotten her hair cut short to commemorate her thirty-eighth birthday, hoping for a more “mature” look. She had always been self-conscious about her height; she was five foot four and tried to walk taller. She was wearing a navy dress that she’d snagged for a good price on eBay; it was professional enough to please her father, who wanted everyone to look nice in the office, without being so nice that she was wasting one of her few good outfits. She was bundled up with multiple layers and a heavy coat—to protect against the winter chill, as well as the madness around her.

Even though it was before 9 AM, Forty-Seventh Street was, as usual, packed, and Mimi gritted her teeth as she bobbed and weaved through the endless crowd. She sidestepped the store workers grabbing a smoke, covering her mouth so she wouldn’t get cancer. She swerved around the stern-looking guard unloading the armored car, with the gun conspicuously dangling from his belt. And she dodged the “hawker” trying to lure her into a jewelry store, who every day asked if she had gold to sell, even though every day she told him no.

Finally, Mimi reached her father’s building, 460 Fifth, the most popular address on “The Street.” After a few minutes standing and tapping her foot on the security line, she handed her driver’s license to the security guard and called out, “Rosen Diamonds.”

“Miss,” growled the guard with the oversized forehead who’d seen her three days a week for the past two months, “you should get a building ID. It’ll save you time in the morning.”

“It’s okay. I won’t be working here for long,” she chirped, though she wasn’t quite sure of that.

Next stop, the elevator bank. Mimi had an irrational fear of elevators; she was always worried she would die in one. She particularly hated these elevators, which were extremely narrow and perpetually packed. She envied those for whom a subway was their sole exposure to a cramped unpleasant space.

As the car rose, one occupant asked a Hasidic dealer how he was finding things.

“All you can do is put on your shoes. The rest is up to the man upstairs.”

Only in the diamond business. Mimi’s last job was thirty blocks away, yet in a different universe.

At each floor, dealers pushed and rushed like they were escaping a fire. When the elevator reached her floor, Mimi too elbowed her way to freedom.

As she walked to her father’s office, she marveled how the building, so fancy and impressive when she was a kid, had sunk into disrepair. The carpets were frayed, the paint was peeling, and the bathroom rarely contained more than one functioning toilet. If management properly maintained the building, they’d charge Midtown Manhattan rents, which small dealers like her father couldn’t afford. The neglect suited everyone.

She spied a new handwritten sign, “No large minyans, by order of the fire department.” Mimi produced a deep sigh. She had long ago left her religious background behind. Somehow, she was now working in a building where they warn against praying in the halls. She was going backward.

Perhaps the dealer in the elevator was right. You could only put on your shoes and do your best. She grabbed her pocketbook strap, threw her head back, and was just about at her father’s office when she heard the yelling.

“I’m so tired of waiting, Yosef! It’s not fair!”

Max’s receptionist, Channah, was arguing with her boyfriend, Yosef, a small-time, perpetually unsuccessfully diamond dealer. Making it more awkward: Yosef was Mimi’s cousin.

Channah and Yosef had dated for nearly eighteen months without getting married—an eternity in Channah’s community. Still, whenever Channah complained, Mimi remembered how her ex-husband only popped the question after three years and two ultimatums.

“Give me more time,” Yosef stuttered, as he tended to do when nervous. “I want to be successful in the business.”

“When’s that going to happen? The year three thousand?”

The argument shifted to Yiddish, which Mimi didn’t understand, though they were yelling so fiercely she didn’t need to. Finally, tall, skinny Yosef stormed out of the office, his black hat and suit set off by his red face. He was walking so fast he didn’t notice his cousin Mimi standing against the wall. Given the circumstances, she didn’t stop him to say hello. She watched his back grow smaller as he stomped and grunted down the hall.

Mimi gave Channah time to cool down. After a minute checking in vain for responses to her latest freelance pitch—editors weren’t even bothering to reject her anymore—she rang the doorbell. She flashed a half-smile at the security camera stationed over the door, and Channah buzzed her in. Mimi hopped into the “man trap,” the small square space between security doors that was a standard feature of diamond offices. She let the first door slam behind her, heard the second buzz, pulled the metal handle on the inner door, and said hello to Channah, perched at her standard spot at the reception desk.

Channah had long dark curly hair, which she constantly twirled; a round, expressive face, dotted with black freckles; and a voluptuous figure that even her modest religious clothing couldn’t hide.

“Did you hear us argue?” she asked Mimi.

“No,” she sputtered. “I mean—”

Channah smiled and pointed to the video monitor on her desk. “I could see you on the camera.” Her shoulders slouched. “It was the same stupid argument we always have. Even I’m bored by it.”

“Hang in there. We’ll talk at lunch.” Mimi and Channah shared a quick hug, and Mimi walked back to the office.

She was greeted by her father’s smile and a peck on the cheek. If anything made this job worthwhile, it was that grin. Plus the money.

“How are things this morning?”

“Baruch Hashem,” Max replied. Max said “thank God” all the time, even during his wife’s sickness, when he really didn’t seem all that thankful.

Sure enough, he added, “We’re having a crisis.”

Mimi almost rolled her eyes. It was always a crisis in the office. When Mimi was young, the family joke was that business was either “terrible” or “worse than terrible.”

Lately, her dad seemed more agitated than normal. As he spoke, he puttered in a circle and his hands clutched a pack of Tums. That usually didn’t come out until noon.

“I can’t find the two-carat pear shape.” He threw his arms up and his forehead exploded into a sea of worry lines. “It’s not here, it’s not there. It’s nowhere.”

Max Rosen was dressed, as usual, in a white button-down shirt and brown wool slacks, with a jeweler’s loupe dangling on a rope from his neck. His glasses sat off-kilter on his nose, and two shocks of white hair jutted from his skull like wings. When he was excited about something, like this missing diamond, the veins in his neck popped and the bobby-pinned yarmulke seemed to flap on his head.

Mimi stifled a laugh. That was the crisis? Diamonds always got lost in the office. As kids, Mimi and her two sisters used to come in on weekends and be paid one dollar for every stone they found on the floor. “They travel,” Max would say.

It was no surprise that things went missing in that vortex of an office. Every desk was submerged under a huge stack of books, magazines, and papers. The most pressing were placed on the seat near her father’s desk, what he called his “in-chair.”

When Mimi’s mother worked there, she kept a lid on the chaos. After her death, Max hired a few bookkeepers, none of whom lasted; two years later, the job had somehow fallen to Mimi.

Eventually, Channah found the two-carat pear shape, snug in its parcel papers, right next to the bathroom keys. The only logical explanation was that Max was examining it while on the toilet.

Max sheepishly returned to his desk. Mimi loved watching her father at work. She was fascinated by how he joked with friends, took grief from clients, and kept track of five things at once. It felt exotic and forbidden, like observing an animal in its natural habitat.

For the most part, they got along, which was no small thing. Over the years, there had been tense moments as he struggled to accept that she was no longer religious. Lately, he rarely brought the topic up, and she didn’t want him to. Her split from her non-Jewish ex probably helped.

On occasion, the old strains resurfaced, in subtle ways. Max’s desk was covered with photos—mostly of Mimi’s mom and her religious sisters and their religious broods. One time when Max was at lunch, Mimi tiptoed over to glance at them, and—not incidentally—check how many were of her. It made her feel silly, yet she couldn’t help herself. She was a professional nosy person.

She got her answer: out of about twenty photos, Mimi was in three, an old family photo and two pics from her sisters’ weddings. That was less than expected. She tried not to take it personally. She had no kids and her marriage was a bust. What was there to show off?

Mimi spent most of the morning deciphering her father’s books—a task made more difficult by his aging computer system, which regularly stalled and crashed. Her father’s “new” software was actually fifteen years old.

Sometimes she wished he gave her more substantial tasks to do. While her father would never say it, he didn’t consider the diamond industry a place for women, as it had always been male-dominated—even though, ironically, it catered mostly to females. That was fine with Mimi. She didn’t want to devote her life to a rock.

At 1 PM, Channah and Mimi headed for Kosher Gourmet, their usual lunch spot. Mimi always joked, “I don’t know if it’s kosher, but it’s not gourmet.”

In the two months Mimi had worked for her father, she and Channah had become fast friends, bonding over their shared love of mystery novels, crossword puzzles, and sarcastic senses of humor.

Channah was not Mimi’s typical friend. She was twenty-three and her parents were strictly religious, even more than Mimi’s. She commuted to Forty-Seventh Street every day on a charter bus from Borough Park, a frum enclave in Brooklyn. The Diamond District was her main exposure to the wider world. She reminded Mimi of her younger, more religious self, under her parents’ thrall yet curious what else was out there.

Mimi was not Channah’s typical friend either. During their lunches, Channah quizzed her on the taste of non-Kosher food (it didn’t taste any different, Mimi told her); sex (“When the time comes,” Mimi said, “you’ll figure it out”); and popular culture (“Can you explain,” Channah once asked, “why Kim Kardashian is famous?” Mimi just said no.) Today, as usual, they talked about Yosef.

“I don’t get it.” Channah wrapped sesame noodles around her white plastic fork. “I love him. He loves me. Why not get married?”

Mimi took a sip from her Styrofoam cup filled with warm tap water. She preferred bottled water but couldn’t afford it. “Have you thought of giving Yosef an ultimatum? Tell him if he doesn’t marry you by a certain date, that’s it.”

“Yosef wouldn’t take that seriously.” Channah turned her eyes to her tray.

“Why not?”

“Cause I’ve done that already. Three times! I backed down every time.” Her fork toyed with her food. “I believe it is beshert that Yosef and I will end up together. I’ve thought so since I first met him at your father’s office, and he smiled at me. What choice do I have?” Her elbow nudged her tray across the table.

“I understand why he’s waiting. He wants to be a steady provider. That’s a good thing, right?”

Actually, Mimi found it sexist. She didn’t say that, because she found many things in Channah’s world sexist.

“He just needs to sell that pink,” Channah said, spearing a dark brown cube of chicken.

Mimi took a quick sip of water. “That pink” was an awkward subject.

One month ago, Yosef had bought a three-point-two carat pink diamond. It was the biggest purchase of his career, the kind of high-risk move that could make or break his business. Max was overjoyed. “Do you know how rare pink diamonds are?” he exclaimed. “And it’s a three-carater! Sounds like a great buy!”

That was, until Yosef proudly presented it to his uncle Max, who inspected it under his favorite lamp, muttered “very nice,” and quickly handed it back.

It was only after Yosef left that Max dismissed his nephew’s score as a strop, a dog of a diamond, the kind of unsellable item that gathered dust in a safe.

“It has so many pepper spots,” Max lamented. “The color’s not strong at all. No one will buy that thing.”

“Maybe he got it for a good price,” Mimi said.

“I’m sure whoever sold it to him said it was the bargain of the century. Anytime someone offers me a metziah, that’s a sign they can’t sell the stone. There’s a saying, ‘your metziah is my strop.’” His face sagged. “I wish he talked to me first. That stone is worthless. I don’t have the heart to tell him.”

When Channah brought up the big pink at lunch, Mimi didn’t want to dwell on the subject. “What’s happening with that?” she asked, as casually as possible.

“Didn’t you hear?” Channah jerked forward. “It got the highest grade possible on its USGR cert.”

“You’ll have to translate.” Mimi tuned out most diamond talk.

“Cert is short for certificate, meaning grading report. The USGR is the U.S. Academy for Gemological Research, the best lab in the industry.”

Mimi just stared.

“That stone’s worth four million dollars.”

That Mimi understood. “Wow.” A lot of money for a dog of a diamond.

“Four point one million, to be exact.” Channah laughed. “Don’t want to leave that point one out!”

“I thought that stone was—”

“Ugly?” Channah chuckled. “Me too! I don’t understand how it got that grade. I guess it doesn’t matter. As your father says, ‘today the paper is worth more than the diamond.’” She slurped some diet soda.

“Is Yosef going to get four million dollars?”

“Who knows? He isn’t exactly an expert in selling such a stone. Your father convinced him to post it on one of the online trading networks. Someone called him about it yesterday.”

“That’s great!”

“Hopefully. If anyone could screw this up, Yosef could.” Channah’s mouth curled downward. “I keep checking my phone to see if there’s any news.” She flipped over her iPhone, saw nothing, and flipped it back. “The way I figure, if he sells that stone, he’ll have to marry me. Unless he comes up with some new excuse. He wouldn’t do that, right? Not after all this time. Would he?”

Mimi struggled to keep herself in check. She was dying to shake Channah and scream that if Yosef wasn’t giving her what she wanted, it was time to move on. She didn’t. Yosef was her cousin. Mimi was in no position to critique someone else’s love life. She always told people hers was “on hold.” It was basically non-existent.

Plus, she remembered how, weeks before her wedding, her friends warned her that her fiancé had a wandering eye. That just strengthened her resolve to marry him, even though in retrospect, they were right. “With situations like that,” her therapist said later, “I always recommend not to say anything. Just be a supportive friend.”

Mimi waited until Channah stopped speaking. She touched her hand. “I’m sure it will work out,” she said.

***

Excerpt from A Murder is Forever by Rob Bates. Copyright 2020 by Rob Bates. Reproduced with permission from Rob Bates. All rights reserved.

 

 

Author Bio:

Rob Bates

Rob Bates has written about the diamond industry for over 25 years. He is currently the news director of JCK, the leading publication in the jewelry industry, which just celebrated its 150th anniversary. He has won 12 editorial awards, and been quoted as an industry authority in The New York Times, The Wall Street Journal, and on National Public Radio. He is also a comedy writer and performer, whose work has appeared on Saturday Night Live’s Weekend Update segment, comedycentral.com, and McSweeneys He has also written for Time Out New York, New York Newsday, and Fastcompany.com. He lives in Manhattan with his wife and son.

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My Take: This is the first in a new cozy mystery series. This book is set in the New York diamond district. I had never read a book set in this setting before and I was interested in the glamour of diamonds and the not so glamourous Orthodox Jewish community that deals with alot of this trade. It is also a very dangerous business. Mimi is outof work and out of cash so she starts working for her father's diamond business. She has to learn everything from scratch. Then her cousin is killed. Everyone else think it was gang related but Mimi thinks it had something to do with the pink diamond that her cousin was trying to sell. There are plenty of twists ans turns in this book to keep you turning the pages to find out what happens next. I received a review copy from Partners in Crime Tours. I was not required to post a positive review.

Friday, January 29, 2021

Captain Clive's Dreamworld by Jon Bassoff



A disgraced deputy investigates a string of missing girls in the shadow of an abandoned amusement park...

Captain Clive's Dreamworld

By Jon Bassoff

After becoming the suspect in the murder of a young prostitute, Deputy Sam Hardy is “vanished” to a temporary post as the sole police officer in Angels and Hope, an idyllic town located in the middle of the desert, miles from any other sign of life. Hardy soon learns that Angels and Hope was constructed as a company town to support a magnificent amusement park – one to rival Disneyland – known as Captain Clive’s Dreamworld. When he arrives, however, Hardy notices some strange happenings. The park is essentially empty of customers. None of the townsfolk ever seem to sleep. And girls seem to be going missing with no plausible explanation.

As Hardy begins investigating, his own past is drawn into question by the people in town, and he finds himself becoming more and more isolated. Soon his phone line mysteriously goes dead. His car’s tires get slashed. And he is being watched constantly by neighbors. The truth – about the town and himself – will lead him to understand that there’s no such thing as a clean escape.

Straddling the line between genre fiction and something more bizarre, Captain Clive’s Dreamworld is a terrifying vision of the collapse of the American mythos.




Captain Clive’s Dreamworld winds its way through an eerie, Lynchian landscape, populated by Stepford citizenry, cursed lives, and all the bleak sensibilities of the most dire Cormac McCarthy tale. Bassoff’s latest is a must read for fans of the genre, or any reader who prefers their fiction with a sense of the off-kilter. Highly recommended!”

-Ronald Malfi, author of Bone White

“Jon Bassoff’s nightmarish bizarro novel Captain Clive’s Dreamworld reads like an extended episode of The Twilight Zone mixed with Twin Peaks mixed with Dante’s Inferno. Unremittingly dark, this roman noir is a trenchant attack on the empty promises of capitalism...a hopeless rebuke of the bright plastic flesh built around the broken, crumbling skeleton of the American Dream.”

-Jeffrey Thomas, author of Boneland

“Jon Bassoff mines an imaginative seam that remains unexplored by any other writer I know working today. I wish I knew his secret, but I’ll settle for reading Captain Clive’s Dreamworld.”

-Tony Black, author of Summoning the Dead

Captain Clive’s Dreamworld is a masterfully rendered, very disturbing cautionary tale of pathological consumerism and nostalgia for a mid-century America that never was. Jon Bassoff’s vision is relentless and unsparing, his prose like a bone saw laying bare the corruption and perversion lurking beneath society’s superficial pieties.”

-Roger Smith, author of Dust Devils

“In Captain Clive’s Dreamworld, Jon Bassoff has created a haunting, suspenseful masterpiece that straddles the line between mystery and horror with expert skill.”

-S.A. Cosby, award- winning author of Blacktop Wasteland


It was the way the black clouds hid the yellow moon, the way the desert rain deluged the asphalt and gutters, the way the wind whipped through the gnarled branches that caused Deputy Hardy to shiver, not the violence, not the blood, not the death.

And now the muffled voice on the radio ordered them to the worn-out motel where the whore had slit her throat, and his partner Kline shook his head and gripped tighter the steering wheel, although Hardy was convinced he saw the makings of a faint grin on his fat face. “This fucking town,” Kline said. “It ain’t what it used to be, that’s for damn sure. A week ago, a drowned toddler. Two days later, a stabbed Mexican. Day after that, a brained dealer. And now this. You know what I think, buddy? I think somebody oughta douse the whole town with gasoline then take a torch to it. And I'll be in the front row watching it burn. Be doing everybody a favor, you ask me.”

But nobody had asked Kline, certainly not Hardy. The way he figured it, this little town, stinking of slaughter (see the hogs shackled and stuck) and poverty (see the filthy children peering from shotgun shacks) was no different than the wealthiest suburb or loveliest island. Everybody suffered, everybody died—they just went about it in different ways.

And so the deputies​ drove, the siren echoing down the avenue, and Kline talked and talked and talked. That’s the way it always was. Kline talking and Hardy listening, only occasionally acknowledging his partner with a grunt. Kline needed noise, and Hardy understood that. Because without noise you were forced to focus on the images in your brain, and they were always filled with corpses, eyes staring right back at you, hands clawing at the air...

“The longer you do this job,” Kline said, “the more you realize that they live like fucking animals. Look at the squalor. Look at the ignorance. Drinking and whoring and raping and killing. And it never stops. Never.”

Hardy turned and rested his head against the window. The asphalt reflected the blurry stoplights and taillights. An old woman, wearing a yellow raincoat, stumbled down the sidewalk, a bag of groceries pressed to her hip. A small town whore crouched beneath an awning, a cigarette dangling from candy cherry lips. A drunk and an addict and a bum and a child. Hardy looked to the sky, hoping the moon would reappear, but it didn’t. It was visible somewhere, though. Somewhere a nice boy and a nice girl sat on a porch swing, listening to the crickets and katydids, staring up at a sky filled with stars and that yellow moon. Somewhere people were happy.

More Kline: “My old lady, she's had it. She’s tired of her job. Tired of my job. Wants to get the hell out of Dodge, despite the fact that her parents and brother and cousins all live here. Scottsdale is where she wants to go. Can you believe that shit? What, does she think I’m going take up golf? Now San Diego on the other hand. That’s something I could work with. Sitting on the beach all day, watching all them tight-assed girls. Seventy-two degrees every day. That would be okay with me, you know what I’m saying?” No response from Hardy. More talk, talk, talk from Kline. “Just gotta work on my gut, that’s all. Show those girls what I’m made of. Yeah. But what about you, Hardy? Cause I gotta tell you. These days you’re looking more and more like a corpse. You ever sleep? You ever fuck? Maybe you should consider packing up yourself. You ever thought about that? Going somewhere else? Making a new start?”

For a long time, Hardy didn’t respond. Then he shook his head and frowned. “No. Never thought about it. But I don’t think it matters much where you go. Because you’re always stuck with yourself. Day and night. Week after week after week.”

Kline glanced at Hardy and then back at the slick blacktop. “Well, shit. Thank you for that. That’s a fucking depressing sentiment if I ever heard one.”

A few minutes more and the car slowed to a stop and Hardy stared through the rain-blurred windshield at the derelict motel just ahead. A place he’d been before. There were a dozen or so drab yellow units, a handful of them boarded up. The Breezewood Motel, it said in broken red and blue neon. A rusted metal “Office” sign hung from a corner unit, and a cutout silhouette of a cowboy leaned against the wall. A crowd of people were milling around, whispering what they knew, whispering what they’d heard. And now, staring at the motel, Hardy felt a sense of despair that he’d never felt before, a despair that, he was sure, no amount of time or tears could ever heal. He didn’t want to go in. He didn’t want to see the blood. His own hands weren’t even yet dry...

Kline killed the engine and radioed in their location. They stepped out of the car, the wind whipping around, the rain falling sideways. And then that old thought. Maybe none of this was real. Not the rain nor the wind nor the death. Maybe. Hardy remembered when he was a child, bedridden because of pneumonia. And one night, in the throes of a relentless fever, he had a terrible dream. In the dream, he was wandering across the desert, lost. All around him was death and carnage: rivers of blood, bodies on the highway, maimed children begging for help. And so he ran and ran, a mortise key hanging around his neck, and eventually he came to his neighborhood, and finally to his house. But then he noticed that next to his house was another one that was identical in every way, and he became unsure about which was the real one. He heard screams, and when he glanced behind, the wounded children were closing in on him, dragging themselves across the dirt, and he had to pick a house. He chose the house on the left. He used his key to open the door, and when he stepped inside he saw his parents sitting in the living room, his father reading the newspaper, his mother knitting a sweater. They greeted him with hugs and smiles. But even though they looked and sounded and acted like his parents, he felt something was wrong, that perhaps they were imposters, that his real parents were in the house on the right. And even after he woke, when he saw them, he doubted that they were real, feared that at any moment they would tear the skin off their faces, revealing hideous new ones beneath, and drag him back to the nightmare from which he’d come...

“Just look at this​ dump,” Kline said. “I'm telling you, some gasoline and a book of matches...”

Hardy pulled back his wetted hair and surveyed the scene. The poor and the mangled huddled in the parking lot, bathrobes slipped open, cans of Budweiser crushed in hands, mumbling fragmented narratives at the weeds and asphalt beneath their feet. One of them mentioned how the devil was making nightly appearances at this motel. Another remembered her Aunt Riddle who died a year ago Wednesday from a mysterious plague. And a third swore that blood was seeping beneath the motel door and would soon cover the parking lot, spread to the avenue, and make its way to City Hall. 

Hardy and Kline stepped through the crowd toward Room Six. An older woman with a mouthful of gums grabbed Hardy’s arm and said, “How long she been dead, you think? A week, maybe more? Just rotting, rotting, rotting. It don’t matter, though, not to me. Just another dead whore. There’s plenty more like her, crawling beneath the bridge and creeping around in alleys.”

The manager had relocked the door after the discovery, so the deputies had to wait several minutes for the Brillo-haired woman to return with the key. “Don’t know who she is,” she said, even though neither of the deputies had asked. “I just came to get money owed. Wouldn’t have opened the door if it wasn’t for that stench.”

Her hands were unsteady (Parkinson’s), and it was a challenge for her to get the key in the hole. The crowd murmured impatiently, delivered more philosophical and religious sermons. Finally, the lock clicked and she pushed open the door. The deputies stepped inside and indicated for the manager and the bystanders to move away. Kline shouldered the door shut, leaving the crowd to scratch at the wood and scream at the moon. 

You never get used to the smells. Blood, shit, decay. Death. Hardy covered his mouth and nose with his arm. He felt unsteady on his feet and thought he was going to vomit but managed to swallow it down.

The floor was a mess of clothes and sheets and broken glass. A lamp glowed on the nightstand, but the rest of the lights had been removed or had simply burned out. The window was pulled halfway open and a soggy curtain flapped in the wind and the rain.

The girl, fifteen or sixteen or seventeen, lay on a mattress crusted over with blood, her legs and arms splayed at grotesque angles. Her naked skin was a pale shade of purple, her eyes bulged from their sockets, and her tongue protruded from an agonized mouth. There was a gaping wound across her throat, and a blood-coated knife rested inches from her clutched hand.

Kline sighed and shook his head. “Ah, Christ. Look at that. What a waste.”

Hardy took a step back and then another. It was too much for him. Every man had a breaking point. The room began spinning and Hardy gritted his teeth and gasped for breath. Behind his eyes, he saw an image of an obese man, thin hair plastered across his head, fat lips curled into a grin, grunting as he fucked the hell out of the corpse, its skin beginning to slough off onto the bed. And behind the fat man, a row of more men, all of them nude, all of them waiting patiently for their moment. Ah, hell. She had it coming. Being born in this world. She had it coming.

A voice in the distance: “Hardy? You okay there, buddy? You don’t look so good. Maybe you should...”

And then he felt himself falling. The floor sped toward him and his body pulsated with pain. Behind his bloody eyes, her face appeared, flickering, and now she was alive, now she was young, now she was smiling, and then Hardy forgot who she was, a sinister elf robbing him of memory, and he closed his eyes and listened to a lullaby played on a harpsichord.    









Jon Bassoff was born in 1974 in New York City and currently lives with his family in a ghost town somewhere in Colorado. His mountain gothic novel, Corrosion, has been translated in French and German and was nominated for the Grand Prix de Litterature Policiere, France’s biggest crime fiction award. Two of his novels, The Drive-Thru Crematorium and The Disassembled Man, have been adapted for the big screen with Emile Hirsch (Into the Wild; Once Upon a Time in America) attached to star in The Disassembled Man. For his day job, Bassoff teaches high school English where he is known by students and faculty alike as the deranged writer guy. He is a connoisseur of tequila, hot sauces, psychobilly music, and flea-bag motels.





Website: http://www.jonbassoff.com

Twitter: http://www.twitter.com/jonbassoff

Facebook: www.facebook.com/jon.bassoff






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My Take: This was a dark rollercoaster ride of a thriller/horror. Trigger warnings for rape and unsettling scenes. Sam Hardy is reassigned to the small town of Angels and Hope after he is caught up in a girls murder. Angels and Hope seems to good to be true. Eveyone one has a job and there is no crime and everyone is employed by Captain Clive and loves him to pieces. Then young girls start to go missing and the towns people say that the girls never existed. Sam decides to investigate himself and then things start to get really weird. This was a good horror book and I will kbe looking for the authors other books. I received a review copy of this book from Pump Up your Book Tours and was not required to write a positive review.

Wednesday, January 6, 2021

Leave the World Behind by Rumaan Alam

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Leave the World Behind
A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong

Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they’ve rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older black couple—it’s their house, and they’ve arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area—with the TV and internet now down, and no cell phone service—it’s hard to know what to believe.

Should Amanda and Clay trust this couple—and vice versa? What happened back in New York? Is the vacation home, isolated from civilization, a truly safe place for their families? And are they safe from one another? 

Suspenseful and provocative, Rumaan Alam’s third novel is keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped—and unexpected new ones are forged—in moments of crisis.

My Take:
I was very disappointed in this book and I gave it 2 stars. We never find out what happens and the writing isn't very good.  Also some of the situations are not very realistic.  I would say save your money.  If you must read it borrow from the library.